North America: Its Rivers

The film deals with the process of globalization based on the thought of geographer Milton Santos, who through his ideas and practices, inspires the debate about Brazilian society and the construction of a new world. Santos discusses his views on the importance of respecting difference and his belief that an alternative globalisation model could wholly enfranchise all citizens of the world. An illustrious presence in 20th century social sciences, the man dubbed as ‘geography’s philosopher’ eloquently elucidates a developing world perspective on the global age.

Many geneticists and archaeologists have long surmised that human life began in Africa. Dr. Spencer Wells, one of a group of scientists studying the origin of human life, offers evidence and theories to support such a thesis in this PBS special. He claims that Africa was populated by only a few thousand people that some deserted their homeland in a conquest that has resulted in global domination.

A panoptic film on water, energy and climate, SunGanges (SuryaGanga) is a wild and intense ride three filmmakers take across the vast Indian landscape in an attempt to connect the dots between vanishing rivers, massive energy projects and the quiet rise of renewable energy.

A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.

Joseph Vallot, geographer, naturalist and mountaineer born in 1854 in Lodève, was a visionary man, full of humor and whose curiosity was insatiable. He had spent some forty years of his life studying the Mont Blanc massif, sacrificing a good part of his fortune to this multifaceted passion. He was notably the first to demonstrate that one could sleep, work and even do science at an altitude of over 4000 meters, at a time when ascents to the summit of Western Europe were still adventurous expeditions. This documentary tribute follows in his footsteps, via the route taken at the time, on foot from Chamonix via the Grands Mulets refuge to the summit of Mont Blanc to the Joseph Vallot observatory nestled at an altitude of 4400m, with a team of guides, journalists and scientists.

The Balkans cradles Europe's last wild rivers and supports abundant wildlife and healthy, intact ecosystems. These rivers are "The Undamaged" – clean, pristine, and undammed. With over 2,700 small and large hydro power plants planned or under construction in the Balkans, corruption and greed are destroying the last free-flowing rivers of Europe. Follow the Balkan Rivers Tour, a rowdy crew of whitewater kayakers, filmers, photographers and friends who decided to stand up for the rivers, travelling from Slovenia to Albania for 36 days, kayaking 23 rivers in 6 countries to protest the dams and show the world the secret wild rivers of the Balkans. The film honours everyday people and local activists who are fighting to defend rivers and aims to spread the word of the plight of these rivers, showing a new style of nature conservation that is fun, energetic and effective.

In Tacony Creek Park, home to one of Philadelphia's lesser-known watersheds, Julie Slavet and Malcolm Bundy reflect on their involvement with and love for the park, made bittersweet by the continuous and increasing amount of pollution that flows into its river. Combined wastewater and stormwater sewage outfalls have affected Philadelphia's rivers for years, but as one innovative program mitigates this for the Schuylkill and Delaware, Tacony gets left behind. Scientist Laura Toran educates the audience on green infrastructure and its potential positive impacts, while Slavet and Bundy discuss how they're still waiting—not without hope—for those impacts to reach their community.

Physical features such as gulf, peninsula, island, etc, are defined and basic principles of using colors to show elevation are illustrated with models.

Presents a geographic overview of the Rocky Mountain region. Discusses the significant role that this region of natural resources has played in the development of the continent

Views of the earth from the ground, from a plane and from a space ship show major features of the land, the oceans and the atmosphere.

How would natural habitats develop without human interference? In this documentary we follow an international team of scientists and explorers on an extraordinary mission in Mozambique to reach a forest that no human has set foot in. The team aims to collect data from the forest to help our understanding of how climate change is affecting our planet. But the forest sits atop a mountain, and to reach it, the team must first climb a sheer 100m wall of rock.

The Gold Rush, Phoenicia as a sea power, political change in Africa, and the Panama Canal are some of the topics considered in showing how different kinds of maps can be used to gain insights into events and patterns of history.

In 2013, the world's media reported on a shocking mountain-high brawl as European climbers fled a mob of angry Sherpas. Director Jennifer Peedom and her team set out to uncover the cause of this altercation, intending to film the 2014 climbing season from the Sherpa's point-of-view. Instead, they captured Everest's greatest tragedy, when a huge block of ice crashed down onto the climbing route...

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.