Jabal

The film shows Solly who is Jewish and a retired music teacher who meets Salim, a Palestinian journalist, and becomes his friend. They spend time together discussing the Palestinian-Israeli conflict.

Salma Zidane, a widow, lives simply from her grove of lemon trees in the West Bank's occupied territory. The Israeli defence minister and his wife move next door, forcing the Secret Service to order the trees' removal for security. The stoic Salma seeks assistance from the Palestinian Authority, Israeli army, and a young attorney, Ziad Daud, who takes the case. In this allegory, does David stand a chance against Goliath?

Young African-Brazilian Miguel drives across the country in search of a long-lost relative to find out about his ancestry. However, a deeper understanding emerges through his encounters along the way.

Two childhood friends are recruited for a suicide bombing in Tel Aviv.

Seven-year-old Rio visits her grandparents in Japan for the first time. She observes the beauty and unfamiliarity of the household, sensing a distance between her American family and the Japanese relatives. When her mother, Seiko, reveals an open secret during tea, the children are excused from the room and something happens behind closed doors.

Amid changing times, as friends and relatives are leaving the city one after the other, our once familiar neighbourhood is becoming foreign. Yeung Por Por has her luggage packed for the one-way flight out of the city with her son. During her final hours in Hong Kong, she goes to the Wan Chai seaside and is shocked to find a barricaded construction site. Following Rhea, her domestic helper to the latter’s Filipino community, Yeung Por Por realises what it means to be uprooted from one’s homeland. Subtly and wistfully, the film relates the difficulties and dilemmas of migration, closing with ‘You Said We’d Be Back’ by the folk-rock duo My Little Airport.

A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

Born in Brooklyn to Palestinian refugee parents, Soraya decides to journey to the country of her ancestry when she discovers that her grandfather's savings have been frozen in a Jaffa bank account since his 1948 exile. However, she soon finds that her simple plan is a complicated undertaking — one that takes her further from her comfort zone than she'd imagined.

Three lonely people trying to find solace in each other and mend misunderstandings rooted in trauma, cultural taboos and old regrets.

Newspaper Boy is a Malayalam–language Indian film released in 1955. It is the first neo realistic movie in the language. The film, a drama of stark realism, narrates the life of the common man on the street. The film is noteworthy in that the entire production programme from script-writing to direction was controlled and executed by students.

Drunk and disillusioned Roman, Marcellus Gallio, wins Jesus' robe in a dice game after the crucifixion. Marcellus has never been a man of faith like his slave, Demetrius, but when Demetrius escapes with the robe, Marcellus experiences disturbing visions and feels guilty for his actions. Convinced that destroying the robe will cure him, Marcellus sets out to find Demetrius — and discovers his Christian faith along the way.

Santa Claus tries to outrun a gang of knife-wielding youth. It's one of several vignettes of Palestinian life in Israel - in a neighborhood in Nazareth and at Al-Ram checkpoint in East Jerusalem. Most of the stories are droll, some absurd, one is mythic and fanciful; few words are spoken. A man who goes through his mail methodically each morning has a heart attack. His son visits him in the hospital. The son regularly meets a woman at Al-Ram; they sit in a car, hands caressing. Once, she defies Israeli guards at the checkpoint; later, ninja-like, she takes on soldiers at a target range. A red balloon floats free overhead. Neighbors toss garbage over walls. Life goes on until it doesn't.

The film represents life in a godforsaken Russian village. The only way to reach the mainland is to cross the lake by boat and a postman became the only connection with the outside world. A reserved community has been set up here. Despite the modern technologies and a spaceport nearby the people of the village live the way they would in the Neolithic Era. There is neither government nor social services or jobs. The postman's beloved woman escapes the village life and moves to the city. Postman's outboard engine gets stolen and he can no longer deliver mail. His normal pattern of life is disrupted. The postman makes a decision to leave for the city too but returns before long with no certain reason. The script is based on real characters' stories. People from the village play their own parts in the film. The search for the protagonist lasted for over a year.

After years abroad in Italy, Shadi returns to his native Nazareth. But this is no spectacular homecoming. He's back somewhat begrudgingly to honour his "wajib" (or duty) to hand out invitations to his sister's wedding with his father. The simmering tension between the two — who are often stuck in a car, more often than not in traffic — builds, exposing the sometimes-comic chasms that exist between men who live in different worlds but share an unshakable bond.