Fragments of a Revolution (Sahneye Tarikh)

A handful of prisoners in WWII camps risked their lives to take clandestine photographs and document the hell the Nazis were hiding from the world. In the vestiges of the camps, director Christophe Cognet retraces the footsteps of these courageous men and women in a quest to unearth the circumstances and the stories behind their photographs, composing as such an archeology of images as acts of defiance.

Video art of sculpture is the real life story of Rumi (Mevlana) and Shams Tabrizi. Rumi and Shams are well known international poets of Persian language. One day, Rumi invites Shams Tabrizi to his house, Shams throws the book into the pool of water and Rumi is worried and Shams returns the book to Rumi without any trace of water. The lost half of the sculpture in the film is a representation of the same concept. "Sculpture" has won more than 69 International Awards, third place (semi-final) in called Flickers' Rhode Island International Film Festival (Academy Award ® Qualifying, BAFTA Qualifying, Canadian Screen Award Qualifying) , Winner of the 2025 Jury Award for Best Short Documentary – Toronto International Nollywood Film Festival (TINFF) – A Canadian Screen Award-Qualifying Festival , Crown Point International Film Festival(Chicago),(US),Gold Star Movie Awards (US),One-Reeler Short Film Competition (US),Accolade Competition (US), and many other events.

Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.

A documentary exploring the experience of going to war with a Military Working Dog, trained to find bombs before they can kill or maim soldiers, often at the expense of the dog's sanity.

The Bokelberg photographic collection brings to life the Paris of the Belle Époque (1871-1914), an exhibition of workshops and stores with extremely beautiful shop windows before which the owners and their employees proudly pose, hiding behind their eyes the secret history of a great era.

Six blind people around the world are given a camera and asked to take photos of whatever they like.

Today, Iran's aggressive posture and rogue nuclear weapons program are straining the patience and nerve of the international community. With Iranian fighters, funds, and strategic weapons flooding into the Middle East, significant war appears inevitable. Meanwhile, something surprising is taking place inside this controversial country. Muslim-background Iranians are leading a quiet but mass exodus out of Islam and bowing their knees to the Jewish Messiah—with kindled affection toward the Jewish people. The Iranian awakening is a rapidly reproducing discipleship movement that owns no property, no buildings, has no budget, no 501c3 status, and is predominantly led by women. THIS IS THEIR STORY.

Early graffiti writer and documentarian Roberto “Flint…” Gennari has an opportunity to cement his legacy nearly half a century after he began documenting the infancy of graffiti in New York City. This film features archival photo and video by the artist as well as interviews with the artist, his contemporaries and industry experts.

A short film on early 1950s Iran.

A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province. He has already hired Turkmen tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diegetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.

An enigmatic glimpse of life through precarious vignettes, propelling a narrative through a nebulous and opaque structure that sutures the filmmaker's home movie footage to archival material—from Hollywood narrative films to political selfie videos. A handmade impression of a time suspended between past and present and the ghosts and places occupying it, contemplating the nature and meaning of vision, memory and image making.

Through four nonlinear but interconnected Finno-Ugric storylines, approximately 7,500 years ago, traces of the Kaalo meteorite – that struck the Estonian island of Saarema – left a profound mark on the peoples living along the Baltic Sea, shaping local myths and legends.

A tribute to the cameramen of the newsreel companies and the service film units, in the form of a compilation of film of the cameramen themselves, their training and some of their most dramatic film.