Your Life Without Me

A documentary that follows Michelle "The Karate Hottie" Waterson as she balances life as a mother and professional MMA fighter.

An intimate portrait of Alabama public interest attorney Bryan Stevenson, founder and executive director of the Equal Justice Initiative, who for more than three decades has advocated on behalf of the poor, the incarcerated and the condemned, seeking to eradicate racial discrimination in the criminal justice system.

In a village in Thailand, Pomm works in a care center for Europeans with Alzheimer's. While she is separated from her children, she helps Elisabeth during the final stages of her life, as Maya, a new patient, is on her way from Switzerland.

Segregation, abandonment, and the meaning of home are discussed by the people that lived in, worked at, and crusaded for one of the largest and oldest Intellectual and Developmental Disability Institutions in the United States. The facility, in its closing, challenged society's perception of those with intellectual disabilities and ultimately fought for better rights.

Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.

Tatiana faces an economic crisis that has forced her to be temporarily away from her kids, her "gang", as she calls them. By writing out her feelings and covering her wall with pictures of the kids, Tatiana opens her heart from the loneliness of a rented room in Bogotá. While she attempts with determination to let her kids know that, despite the circumstances, she is still there for them.

A panorama of Brazilian popular music from the 60s and 70s through the musical group Novos Baianos. A retrospective of the community lifestyle adopted by its members and the influence inherited from singer João Gilberto.

“Factory-made wheelchairs are huge, heavy and ugly.” To counter this reality, wheelchair riders Ralph Hotchkiss and Omar Talavera began making beautiful, all-terrain wheelchairs. Their work draws on the resourcefulness of disabled people in the Third World, who have no choice but to build their own chairs. A well-crafted piece in its own right, Zimbabwe Wheel illustrates that wheelchairs can be truly empowering works of art: hand-crafted machines that are inexpensive, durable, and tailored to the needs of the rider.” Working on your chair is like working on your whole sense of self,” says a student, describing a feeling no factory-made chair can provide.

Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.

Anya was an ordinary Moscow teenager who found a chat group of her choice online. They talked about animals, the stars and social issues. A man called Ruslan D joined the group, who set up an office space for the online group to meet. Step by step, he began to lead young people who were critical of the Putin's regime towards political activism. Ruslan D placed a camera in the meeting room, and when he had enough footage, he handed it over to the prosecutor. The police raided the teenagers' homes and they were arrested on charges of planning to overthrow the government and terrorism. Three years of legal proceedings transformed Anya's mother from a loyal follower of Putin to a hunger-striking activist. Moscow-based director Anna Shishova followed Anya and her mother's life throughout the event and eventually revealed the true identity of Ruslan D.

William Humphreys has been involved in the Cayman Islands Football Community for over 25 years. He's been a player in the league, referee and coach. He now runs a football program at his local Church Field to help the youth of the Cayman Islands learn about the joys of playing football.

They raised children, baked cakes... and built world-class fighter planes. Sixty years ago, thousands of women from Thunder Bay and the Prairies donned trousers, packed lunch pails and took up rivet guns to participate in the greatest industrial war effort in Canadian history. Like many other factories across the country from 1939 to 1945, the shop floor at Fort William's Canadian Car and Foundry was transformed from an all-male workforce to one with forty percent female workers.

This film investigates and raises awareness about the perennial pollutants PFAS, present in many everyday products, including beauty products, clothing, and kitchen utensils. .

Pacific Mother journeys from Japan, to Hawaii, Tahiti, Rarotonga and Aotearoa to share interwoven stories of formidable women who live at one with the Pacific Ocean – freediving, spearfishing and paddling waka through its depths and playing with their children in its shallows – a stark contrast to fast-paced lifestyles of larger towns or cities. These women are all mothers who experienced diverse births in hospital, at home and by the sea, with and without medical assistance. Fukumoto also meets Māori and Japanese midwives who share indigenous traditions and rituals around birth that have been lost over recent generations, and are now gradually being reclaimed. Their stories demonstrate just how disconnected the global default maternity system is from the instinctive and cultural needs of mothers and families. They inspire a call to action on birthing rights, as well as a call for parents’ reconnection with their role as nurturers and protectors of their natural environment.

Women’s voices rise to deliver testimonies of victims of sexual violence. By reconstructing a story with these fragments of experience, a societal portrait is painted throughout the documentary. Like a mosaic, the pieces stick together to build a unique story that could belong to any human.