Wounded at Kew

A detailed account of one of the bloodiest battles of World War I. Between February and December 1916, the French and German armies relentlessly fought in the devastated camps around the village of Verdun.

There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...

Archive footage of Australia and New Zealand forces during WW1, WW2 and the Vietnam conflict. Plus home life between the wars, especially focusing on the homage we pay to those who so bravely sacrificed themselves on our behalf. This is all held together by a wonderful script narrated by John Stanton.

A shocking political exposé, and an intimate ethnographic portrait of Pacific Islanders struggling for survival, dignity, and justice after decades of top-secret human radiation experiments conducted on them by the U.S. government.

This early, influential propaganda film blends documentary and studio footage to show the valiant efforts of the Royal Air Force to defend the British people against the Nazis.

Neil Oliver describes the worst ever railway accident in the UK, which happened a hundred years ago on 22 May 1915, in which three trains collided at Quintinshill near Gretna Green. One of the trains was a troop train taking soldiers to fight in World War I at the Battle of Gallipoli: many of the dead were in this train which caught fire due to escaped gas from the archaic gas lighting in the carriages. The cause of the crash was attributed to a catastrophic signalman's error, but Neil examines whether there were other contributory factors and whether there was a cover-up to prevent investigation of them, making convenient scapegoats of the signalmen.

The adventures and exploits of Jean-Baptiste Charcot (1867-1936), an intrepid scientist and explorer who laid the foundations of modern oceanography.

Social democracy propaganda film about future dreams for Denmark in 1960. Although Denmark is free again, the former opponent and worker, Svend, is disillusioned: "It is all something soft". The dream of the future is incarnated by a young woman, Karen, who shows Svend the visions of a better life in the 'youth's land'. There are homes and a nuclear-powered car for everyone.

Public anxiety about war from the air is all too real for the people of Ramsgate in this newsreel footage of the aftermath of a Zeppelin raid.

A "What if?" alternative history sees Nazi Germany prevailing in the second World War. First the occupiers establish their power bases, before they find themselves under attack from the underground resistance.

Throughout time, Eastern Ukraine (such as Donbas) has been referred to as a 'Russian world', but this is indeed not the case. The history of Donbas was re-written during the Soviet era. Although the Soviet Union edited out and withheld all references to the European background of this region from history books in schools and universities. There were, in fact, numerous French, Belgian, German, British, Polish, Swiss, Dutch, and even American settlements and more than 100 wide-scale enterprises in the region. Therefore, this film reveals the pro-European industrialization of Ukrainian Donbas at the turn of the 19th century. It aims to emphasize the European roots of Ukraine long before the official integration process of Ukraine into the EU in 2022.

Yael Hersonski's powerful documentary achieves a remarkable feat through its penetrating look at another film-the now-infamous Nazi-produced film about the Warsaw Ghetto. Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource for historians seeking an authentic record, despite its elaborate propagandistic construction. The later discovery of a long-missing reel complicated earlier readings, showing the manipulations of camera crews in these "everyday" scenes. Well-heeled Jews attending elegant dinners and theatricals (while callously stepping over the dead bodies of compatriots) now appeared as unwilling, but complicit, actors, alternately fearful and in denial of their looming fate.