Stacey Dooley: Inside the Undertakers

Nine fictitious documentaries and films reflect the mood of late 1970s Germany, particularly the two-month period in 1977 when a businessman was kidnapped by the RAF (Red Army Faction). The kidnap had been made to orchestrate the release of the original leaders of the RAF, aka the Baader-Meinhof.

After they have graduated from school, the two best friends Kati and Jo jump into their purple Benz and embark on a journey around the world southwards. Kati, however, struggled with the decision for the journey as the love of her life returned to their hometown Tandern shortly before their departure. The journey leads the two friends over the Brenner pass, where their car suddenly stops working. When Kati then also learns that her grandfather is about to die, she wants to return home – this puts the friendship of the two to an acid test.

After a very messy divorce, a man starts suspecting his ex-wife and her new boyfriend of various crimes.

The story of Robert Flanagan, a man who was born with cystic fibrosis and told he wouldn't live past 20, who through a unique odyssey of masochism, art and love found a way to live decades past his expiration date.

In 1973, when Frank Bledsoe and his 18-year-old niece Beth take a road trip from Manhattan to Creekville, South Carolina for the family patriarch's funeral, they're unexpectedly joined by Frank's lover Walid.

Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.

A team of inept undertakers attempt to get a coffin to a funeral on time. An undertaker is in charge of moving a coffin from a home to the church. The home is on the 26th floor of a skyscraper; the stairs are narrow; the lift is small and prone to stop working. Chaos ensues.

Documentary that reflects on the WWE career of the Undertaker, the franchise's longest serving wrestler with over two decades of action behind him. Known for his trademark finishing move, the tombstone piledriver, the Undertaker has entered battle with generations of WWE stars. Among those to offer their thoughts on what it is like to face him in the ring are Shawn Michaels, Triple H, Big Show, Randy Orton and Brock Lesnar who ended The Streak.

Yamamoto Senji fought against the Peace Preservation Law in the Diet. On March 5, 1929 he was assassinated by the right wing. A farewell ceremony was held near the University of Tokyo. Prokino's Tokyo Branch shot the procession.

In 2004 Sheldon Oberman, a Jewish storyteller from Winnipeg, passed away. At his funeral the presiding Rabbi said that Sheldon’s spirit was with the congregants in the sanctuary. For filmmaker Saul Henteleff this was a revelation that began a personal and spiritual journey into the meaning of Jewish death. My Jewish Death is the result of this journey.

This controversial film from director Glauber Rocha records the funeral of his friend, major Brazilian painter Emiliano Di Cavalcanti.

Robert Drew shows the sights and sounds from the funeral of President John F. Kennedy in November, 1963. Preserved by the Academy Film Archive in 2002.

In 1965 actor and hopeful first time director Titus Moede befriended ‘Preacher’ of the outlaw motorcycle club the Coffin Cheaters while looking for a project. He soon realized that this was exactly the subject he had been looking for.

Searching for the root of generational trauma, the director takes a camera into his estranged grandfather’s funeral.

Part film, part baptism, in BLACK MOTHER director Khalik Allah brings us on a spiritual journey through Jamaica. Soaking up its bustling metropolises and tranquil countryside, Allah introduces us to a succession of vividly rendered souls who call this island home. Their candid testimonies create a polyphonic symphony, set against a visual prayer of indelible portraiture. Thoroughly immersed between the sacred and profane, BLACK MOTHER channels rebellion and reverence into a deeply personal ode informed by Jamaica’s turbulent history but existing in the urgent present.