L'Orientalisme

In the vast expanse of desert East of Atlas Mountains in Morocco, seasonal rain and snow once supported livestock, but now the drought seems to never end. Hardly a blade of grass can be seen, and families travel miles on foot to get water from a muddy hole in the ground. Yet the children willingly ride donkeys and bicycles or walk for miles across rocks to a "school of hope" built of clay. Following both the students and the teachers in the Oulad Boukais Tribe's community school for over three years, SCHOOL OF HOPE shows students Mohamed, Miloud, Fatima, and their classmates, responding with childish glee to the school's altruistic young teacher, Mohamed. Each child faces individual obstacles - supporting their aging parents; avoiding restrictions from relatives based on traditional gender roles - while their young teacher makes do in a house with no electricity or water.

Edward Said, Professor of English & Comparative Literature at Columbia University, was a prominent literary critic of the late 20th century and a leading spokesperson for the Palestinian cause in the US. Born to a Palestinian family in Al-Quds (Jerusalem) in 1935, he and his family were dispossessed in 1948 and settled in Cairo. Educated in the US, he lived in New York for many years. Said was a member of the Palestine National Council. After resigning from the PNC in 1991, Said wrote critically about the post-Oslo peace process, the political failures of Yasser Arafat and the PLO. Said was diagnosed with leukemia in 1991 and struggled with the disease while continuing to write and teach. He stopped giving interviews but made an exception less than a year before his death in 2003, speaking about his illness, work, Palestine, politics, life, and education. The last interview is the final testament of this passionately committed intellectual.

Leonardo da Vinci is acclaimed as the world’s favourite artist. Many TV shows and feature films have showcased this extraordinary genius but often not examined closely enough is the most crucial element of all: his art. Leonardo’s peerless paintings and drawings will be the focus of Leonardo: The Works, as EXHIBITION ON SCREEN presents every single attributed painting, in Ultra HD quality, never seen before on the big screen. Key works include The Mona Lisa, The Last Supper, Lady with an Ermine, Ginevra de’ Benci, Madonna Litta, Virgin of the Rocks, and more than a dozen others.

For the first time in history the Royal Academy of Arts in London, in collaboration with the Museum of Fine Arts in Boston, is bringing together Lucian Freud’s self-portraits. The exhibition will display more than 50 paintings, prints and drawings in which this modern master of British art turned his unflinching eye firmly on himself. One of the most celebrated painters of our time, Lucian Freud is also one of very few 20th-century artists who portrayed themselves with such consistency. Spanning nearly seven decades his self-portraits give a fascinating insight into both his psyche and his development as a painter, from his earliest portrait painted in 1939 to the final one executed 64 years later. When seen together, his portraits represent an engrossing study into the dynamic of ageing and the process of self-representation. This intensely compelling exhibition creates a unique opportunity for EXHIBITION ON SCREEN to reveal the life’s work of a master in one show.

A story about the life and work of the twentieth century artist Kazimir Malevich and his influence on world culture.

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

Admirers of Lawren Harris, founding member of the iconic Group of Seven, discuss his paintings and his place in the pantheon of Canadian artists.

This FitzPatrick Traveltalk short visits the cities of Casablanca, Rabat, and Marrakesh in Morocco, as well as the city of Algiers in Algeria.

Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.

Raphael: The Lord of the Arts is a documentary about the 15th century Italian Renaissance painter Raphael Sanzio.

A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.

Documentary on the beginnings of Algerian independence filmed during the summer of 1962 in Algiers. The film was banned in France and Algeria but won the Grand Prize at the Leipzig International Film Festival in 1965. Out of friendship, the production company Images de France sent an operator, Bruno Muel, who later declared: "For those who were called to Algeria (for me, 1956-58), participating in a film on independence was a victory over horror, lies and absurdity. It was also the beginning of my commitment to the cinema."