The Birth of Punjabi Garage

An actuallity film of a fairground carousel in action. Filmmaker unknown but it has been suggested it is R.W. Paul. The film was made on Hampstead heath, London, UK.

With exclusive access, the thrilling, untold story of Virgin Orbit's bid to launch satellites from Cornwall and propel the UK into the space race. Including the moment it all went wrong.

A look at the feud between graffiti artists King Robbo and Banksy.

The Feminist Library: A Short Film was made in support of the Save the Feminist Library Campaign, documenting a crucial moment in the library's herstory as it fights for its very survival. Shortlisted for the Women's History Network Community Prize, the film revisits the story of the library's inception and emphasises why feminism remains essential today.

A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.

A documentary revealing an observation on three barbershops throughout the course of one summer's day in the city of London - Hackney, Herne Hill, and Catford.

Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.

This lost classic, shot on 16mm in a wintry Berlin in 1993, explores the origins of the German trance scene. Featuring interviews with fresh-faced selectors including Laurent Garnier and MFS Records founder Mark Reeder, the documentary also feature footage from the city's iconic Love Parades in 1991 and 1993.

At the 1996 Atlanta Games, the Magnificent Seven became the first American women to ever win gymnastics team gold. Sixteen years later, in London, the Fierce Five joined them in the history books. Relive all the excitement as Gabby Douglas, Aly Raisman, Jordyn Wieber, McKayla Maroney and Kyla Ross take the lead from the first rotation and never look back on their way to gold. Follow Gabby Douglas on her way to the podium to make it three straight American gold medals in the individual all-around competition. Every individual event final is featured on this DVD, including Aly Raisman's historic gold-medal performance in the floor exercise, her bronze on the balance beam, as well as McKayla Maroney's silver medal in the vault.

A short documentary on how people view art and its value in today's society.

Documentary that addresses the phenomenon known as the "destroy route" or the "bakalao route" that placed the city of Valencia in the social and musical vanguard of the late 80s and early 90s.

Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.

Between January 1st and 31 December 2017, 768 people died as a result of murder or manslaughter in Britain - approximately 14 people a week. This powerful and original film tells the stories of some of those cases, exploring the human cost of murder - the ordinary people whose lives are changed forever and the communities left to wrestle with the consequences. Filmed over 12 months, it follows families and friends from the immediate aftermath of the crime, through the court process, and as they try to rebuild their lives. These stories are shown alongside statistical analysis of homicide figures for Britain since the Millennium, which reveal that so far this century, the pattern of homicides has remained strikingly similar in terms of the profiles of victims and the circumstances of the killing. This urgent, unflinching and intimate film goes beyond individual incidents to ask what the patterns of murder in our time say about the state of Britain.

Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.