Preschool to Prison

The Making of feature for the George Lucas movie 'THX 1138'.

Making of documentary on the set of New Zealand's first epic Utu (1983), working with little money and dealing respectfully with matters of cultural protocol. Merata Mita discusses complex issues of inter-cultural conflict.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful use of the tonal qualities of black and white film. (mubi.com)

In Paradisum relates two disturbing stories simultaneously. The female narrator tells her personal tale of imprisonment as the wife of the notorious Estonian serial killer, Andreas Hanni. Although her story is bizarre, it touches familiar themes that run throughout modern life: the desire to be loved and the fear of being alone. Pille Hanni's tale unfolds over cinema vérité images of life in several Estonian prisons. At times the images reflect in a literary way the events of the narration, yet they are representations and impressions, rather than traditional documentary style footage of the people involved. This opens the story to a more general interpretation, often with unsettling results. The parallel contents reveal, at two levels of story and social organisation, how the bizarre and inhuman can be tolerable and even addictive in the face of our fears.

Two countries, two restaurants, one vision. At Gabriela Cámara's acclaimed Contramar in Mexico City, the welcoming, uniformed waiters are as beloved by diners as the menu featuring fresh, local seafood caught within 24 hours. The entire staff sees themselves as part of an extended family. Meanwhile at Cala in San Francisco, Cámara hires staff from different backgrounds and cultures, including ex-felons and ex-addicts, who view the work as an important opportunity to grow as individuals. A Tale of Two Kitchens explores the ways in which a restaurant can serve as a place of both dignity and community.

Young members of 3 New Orleans school marching bands grow up in America's most musical city, and one of its most dangerous. Their band directors get them ready to perform in the Mardi Gras parades, and teach them to succeed and to survive.

On the Puerto Rican diaspora, which includes renowned artists who have converted New York, Florida, Chicago, Hawaii, Santa Cruz and Dominican Republic into their second home, but with Puerto Rico in their hearts.

On August 1, 1942, a 22-year-old Mexican American man was stabbed to death at a party. To white Los Angelenos, the murder was just more proof that Mexican American crime was spiraling out of control. The police fanned out across LA, netting 600 young Mexican American suspects. Almost all those taken into custody were wearing the distinctive uniform of their generation: Zoot Suits. The tragic murder and the injustice of the trial that followed, coupled with sensational news coverage of both, fanned the flames of the racial hostility that was already running rife in the city. Within months of the verdict, Los Angeles was in the grip of some of the worst violence in its history.

A tour of the United States. A Circarama (360 degree) film which originally opened at the Brussels World’s Fair in 1958 and was brought to Disneyland in 1960.

Noemí, an Ayuukjä'äy woman reflects on the loss of her native tongue with a voice that blends into day to day life in Cerro Costoche community located in the Mixe mountain rage of Oaxaca.

Computer-generated imagery and other visualization techniques reveal how it would look if all the water was removed from RMS Titanic's final resting place.

Sir Ian McKellen and Richard Loncraine talking about making the film.

The hotel overlooks the city hall. The city hotel returns the glance. Glances bounce off each other, become directions and points headed towards, together, and outwards all just one frame apart in between the hotel and city hall.