Uncensored Women

A portrait of American actress Uma Thurman, muse of legendary filmmaker Quentin Tarantino and courageous voice for the many victims of despotic producer Harvey Weinstein.

Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.

Actor Rawiri Paratene was 16 years old when he joined Māori activist group Ngā Tamatoa (Young Warriors) in the early 1970s. "Those years helped shape the rest of my life," says Paratene in this 2012 Māori TV documentary, directed by Kim Webby. The programme is richly woven with news archive from the 1970s, showing protests about land rights and the Treaty of Waitangi, and a campaign for te reo to be taught in schools. Several ex Ngā Tamatoa members — including Hone Harawira, Tame Iti and Larry Parr— are interviewed by Paratene, who also presents the documentary.

The dramatised story of the Irish civil rights protest march on January 30 1972 which ended in a massacre by British troops.

The history of Frankenstein's journey from novel to stage to screen to icon.

A Texas congressman sets a series of events in motion when he conspires with a CIA operative to aid Afghan mujahideen rebels fighting the Soviets.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

When German police viciously quell a protest against the shah of Iran, popular journalist Ulrike Meinhof rebels against her dishonest marriage, walks away from her children and joins radical anarchist Andreas Baader. Together with Baader's girlfriend, Gudrun Ensslin, they form the violent Red Faction Army, and together perpetrate a slew of terrorist attacks as a way of disrupting the fabric of what they see as an increasingly fascist state.

He is considered to be one of the greatest German film stars, Hans Albers, known as "Der blonde Hans", a man made for the cinema. He was an actor, singer, idol of the Germans - and darling of the Nazis. Nevertheless, he could not protect his great love, the Jewess Hansi Burg. In 1938 she had to flee to London from anti-Semitism in Germany. But Albers himself stayed in Germany and continued to film, driven by a desire for a career and the call of money. In 1946, one year after the end of the Second World War, they meet again: Hansi Burg returns to the land of the murderers of her parents in the uniform of the British Army and visits Hans Albers in his villa on Lake Starnberg. He lives there with another woman. The rival has to go, then there is a tense debate. For a day and a night, the blonde Hans has to face uncomfortable questions and even more uncomfortable truths.

London 1976: Between economic crises and the Silver Jubilee, something is brewing in the squats and basement clubs of West London: Punk. A promise, a new beginning. Punk meant self-empowerment, especially for the women in the scene. For the first time, women picked up guitar, bass and drums, formed bands and wrote their own songs.

How Don Quixote de la Mancha, the immortal character created by Miguel de Cervantes in 1605, has been depicted in cinema, television, cartoons, theater, opera, ballet and other artistic disciplines. An adventure that began more than four hundred years ago in the pages of a book and is far from coming to an end.

In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.

An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.