Román o base

A lonely woman gets more than she bargained for when she begins wooing Mr Devil, an insatiable glutton who turns out to be the boyfriend from Hell.

One-armed war veteran John J. Macreedy steps off a train at the sleepy little town of Black Rock. Once there, he begins to unravel a web of lies, secrecy, and murder.

Johnny is burdened with the desire to euthanize his terminally ill mother in order to relieve her.

A reflection on contemporary privileged youth. Based on a short story by Stephen King where a nineteen-year-old loner is recruited by a strange corporation to kill specific targets from his home computer in exchange for a seemingly ideal life.

When a Cook Island school cleaner answers an unusual message on the wall of a girls' toilet cubicle, his life, and the life of the mysterious author, will never be the same again. Based on the Australian short story The Graffiti of Mr Kynyatta by Michael Griffith.

A 1984 Slovak language drama film directed by Martin Tapák.

A man afflicted with a curse while visiting Bombay, India at the turn of the 20th Century struggles to live life without ever touching another human being. His tragic lack of success in remaining free of all human contact causes the death of casual acquaintances and close friends alike. Ultimately, his curse turns back upon him and his story ends as tragically as those he affected with his curse.

A man believes he has been cursed after a horrific accident.

George Gregson's world is turned upside down when he meets a man in a 1940's gentleman's club who refuses to shake hands. Based on Stephen King's short story 'The Man who Would Not Shake Hands'.

An adaptation of Evgenii Zamiatin’s short story “The Cave,” about a musician dying of hunger in his large, unheated Petersburg apartment because he was not needed in the revolutionary city.

A corporate raider and his henchman use a chanteuse to lure a scientific genius away from his employer and family.

The rise of a raucous hayseed named Lonesome Rhodes from itinerant Ozark guitar picker to local media rabble-rouser to TV superstar and political king-maker. Marcia Jeffries is the innocent Sarah Lawrence girl who discovers the great man in a back-country jail and is the first to fall under his spell.

A man boards on a tram together with a naked boy. Somebody has stolen the boy's clothes when he was out bathing, leaving him with not even change for the tram. The man has taken care of him and is taking him home. At first nobody notices them but as soon as the people realize they are seeing something out of the ordinary they begin to react to the situation. Some are content with the simple explanation as to why the boy is naked. Others are agitated, for they see the whole situation as something unseemly. An ordinary incident, which might have been passed over in silence, results in a heated argument that turns into a fight. More and more people join in the fight until the police are forced to intervene.

It was autumn 1939, shortly after the attack on Poland by the German army. The military component of the Slovak State are allies of the Nazis, and with them came on Polish territory. They're alongside the mighty army of Hitler's occupation force. In the decimated Polish town the Commander of the Slovak company Major Valenta issues orders that all residents surrender weapons if they own any. Insubordination will be punishable by death. Shortly after, the charming young Polish lady Žofie reports Valenta about: Professor Klosowski, who is Professor of Botany at the local high school, said to be hiding out at home in the library of the gun. Valenta reluctantly executes search warrant and weapon is found, but it is immediately clear that the old Professor became the victim of misunderstandings or possible fraud. To his surprise, he soon discovers that Sophie has a close relationship with Klosowski. But just before he fathoms the mystery, the occupation machinery executes havoc.

The film is based on the feuilleton of the same name by I. Ilf and E. Petrov. A writer named Moldovantsev delivers a thrilling Soviet‐style Robinson Crusoe adventure on deadline, only to have his editor insist on adding a local party chairman, freed ex‐members, an activist collector, a housing committee and even a meeting table, bell and ledger washed ashore. Reluctantly he complies, so far that he jettisons Robinson himself as an unjustified weakling, transforming his novel into an absurd manifesto of bureaucratic excess.