Les arpenteurs de l'espace

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Directed by Franco-German duo Pierre-Emmanuel Le Goff and Jürgen Hansen, Through the Eyes of an Astronaut is a 28-minute documentary based on images shot on board (and outside) of the International Space Station (ISS) by Thomas Pesquet, the European Space Agency’s (ESA) youngest astronaut, and the 10th French astronaut to travel into space. Enjoy the highlights of his six-month space odyssey, the Proxima Mission, 400 km above the Earth. Pesquet docked with the ISS in November 2016 for a 196-day, 17-hour, and 49-minute mission. The filmmakers and Pesquet had agreed to a shooting plan before the mission, but the result exceeded their expectations! Pesquet kept a daily visual diary -he brought back more than 600 hours of footage, including 40 in IMAX format, sharing his thoughts and feelings on the beauty and fragile nature of our planet, and man’s place in the universe.

THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.

An analysis of the rise of the European far-right, increasingly present in both politics and everyday life: an inquisitive journey through France, Germany and Belgium.

Documentary on Les Charlots, known as The Crazy Boys in the English-speaking world, a group of French musicians, singers, comedians and film actors who were popular in the 1960s, 1970s, and early 1980s.

From the moment we got engaged and set a wedding date, we began thinking about the reasons we chose one another. What was so special about this relationship that we decided to spend our lives together? Would our love be the same if we were born in another time or at another place? What is love exactly? Driven by those questions, we decided to embark on a one year journey around the world to research whether love, one of the highest values in our lives, is universal, or it is completely conditioned by the circumstances around us.

Emma and Anaïs are best friends and yet everything in their life seems to set them apart, their social backgrounds but also their personalities. From the age of thirteen to eighteen, Adolescentes follows the two teenagers during these years where radical transformations and first times punctuate daily life. Through their personal stories, the film offers a rare portrait of France and its recent history.

When Kennedy announced in 1961 that he wanted to take humans to the moon within a decade, Charles M. Duke was skeptical. Almost 11 years later, however, Charles M. Duke was standing on the moon himself. He gave Neil Armstrong the go-ahead for the landing on Apollo 11. Because he contracted rubella, the Apollo 13 crew had to be changed. In 1972, he landed with Apollo 16 and looked down on Earth from the moon himself.

Recently discovered footage reveals the secret history of NASA's first landing on the moon, and using this brand-new evidence, former astronauts and experts challenge everything known about the Apollo missions.

A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.

A documentary following the civil rights movement and how the media, in particular the burgeoning TV, was used to fight for equality in the 1960s. From Selma to Charlottesville, we also see how modern activists use today's technology to continue fighting injustice today.

BUILT FOR MARS: THE PERSEVERANCE ROVER goes behind the scenes at NASA’s Jet Propulsion Laboratory to follow the birth of the Perseverance rover.

Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).

A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.