A Mãe e a Filha

After 23 years living with his mother, Francisco is moving. The last week of coexistence between him and Ana is marked by intimate conversations, small arguments, advice and everyday life.

Shaken by degenerative dementia, Dolores fades away as her memory dissipates over time. Hoping to recover memories of the past, her sons Mário and Samuel move to the island of Madeira, trying to provide better living conditions for their mother. However, the days become long and challenging as Dolores becomes increasingly dependent.

After returning from her husband's requiem mass, Clarice gets into an argument with her daughter Andrea about the family's dark past.

Real memories get confused with invented ones, while the movie's director investigates his parent's past in a work that wanders between fiction and documentary.

"Until one day... when the first shot was fired, everyone had to leave their homes." – In 1975, Ema was awaiting the arrival of her first child, in Angola. However, her tranquility was abruptly interrupted by a force that pulled her from her comfort and changed her life forever.

Complex and intriguing Turkish drama about revenge killing. A young woman who went into hiding from her family talks about her life in a documentary. An uncle who sees the film in Germany won't let it rest .

A boy and a girl fall in love. But on the night they met, she was drunk and stoned and he took advantage of her. Although she does not remember almost anything from that night, she remembers something that may compromise their relationship.

John Shilcott, a member of the English Parliament, a nervous, sickly man, has long since lost all energy for work, and only at times the increasing doses of morphine, which he injects into himself, give him the illusion of an influx of vitality. In his family life, too, not all is not well: over the past three years, he has become estranged from his wife, there is no spiritual closeness between them, and Ava Shilkott begs her father to help her get a divorce...

A muslim couple opens a butcher shop in Montreal and wishes to successfully integrate into Quebec society. But the butcher's father is an imam who sets up a little mosque in the back room and uses it to spread his fundamentalist views. When he is arrested by the RCMP on suspicions of past terrorist activities, his son, torn between love for his wife and allegiance to his father, gets involved in a plot to free him. Fed up by her husband's unwillingness to stand up to his father's wishes, the butcher's wife leaves to live a more fulfilling life away from the muslim community.

In a remote village in the mountains, Yzza is still waiting for the monthly package of medicine that her husband Hossein sends to treat their daughter. Failing to have the medicine being a matter of life and death, Yzza decides to go to Casablanca to fetch it. Without a proper address and with little money in her bag, this inexperienced, religious, naïve woman does not even fathom that Casablanca is an enormous metropolis, very far from her little rural village. Yzza’s bag is stolen and in her misfortune Yzza meets a young woman, a prostitute wanted by the police. From adventure to adventure, Yzza discovers the workings of an absurd society where her sensible codes are pushed and shoved. Director Naoufel Berraoui skillfully knits the portrayal of a city swarming with cars and people with the dramatic lives of his characters. A remarkable cast directed with sensitivity in a poignant drama with documentary-like accents.

A high school girl and a teacher form a relationship but the man was arrested on suspicion of indecent conduct. Three years later, the man quit his job as a teacher, worked as a salesman for a general company, had a girlfriend, and was about to get engaged. Then, one day, in town, the two of them had a fateful reunion...

Strife between competing lumber mills.