Sa Isang Sulyap Mo, Tita

Comedian Pat West performs his vaudeville act.

Popeye is a super-strong, spinach-scarfing sailor man who's searching for his father. During a storm that wrecks his ship, Popeye washes ashore and winds up rooming at the Oyl household, where he meets Olive. Before he can win her heart, he must first contend with Olive's fiancé, Bluto.

Sailor Spike dates girls whose names he finds in an address book. Each girl has the same tatoo, placed there by another sailor Bill. When Spike meets Bill they become friends. In Calais Spike meets Goldie. Bill warns him against her, but Spike ignores the warning until he finds Bill's tatoo on Goldie as well.

On shore leave, a young sailor meets and falls in love with a pretty young blonde. He goes home with her to meet her parents, but they don't approve of him at all. Their daughter takes offense at this, and in the ensuing argument she storms out of the house determined to live on her own.

While recovering in a hospital, war hero Jefferson Jones grows familiar with the "Diary of a Housewife" column written by Elizabeth Lane. Jeff's nurse arranges with Elizabeth's publisher, Alexander Yardley, for Jeff to spend the holiday at Elizabeth's bucolic Connecticut farm with her husband and child. But the column is a sham, so Elizabeth and her editor, Dudley Beecham, in fear of losing their jobs, hasten to set up the single, childless and entirely nondomestic Elizabeth on a country farm.

Yuddy, a Hong Kong playboy known for breaking girls' hearts, tries to find solace and truth after discovering the woman who raised him isn't his mother.

A young sailor saves a woman from drowning. The woman turns out to be a rich heiress; unfortunately for the sailor, she was only pretending to be drowning so that another young man she had her eye on would save her.

Two sailors get caught in a mountain of mix-ups when they meet their long-lost twins. Laurel and Hardy play themselves and their twins.

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

A sailor prone to violent outbursts is sent to a naval psychiatrist for help. Refusing at first to open up, the young man eventually breaks down and reveals a horrific childhood. Through the guidance of his doctor, he confronts his painful past and begins a quest to find the family he never knew.

Return to Horror Hotel is an anthology feature with 4 segments. One is about giant a bedbugs, one is about a magical charm that turns girls beautiful, one is about a WWII sailor who hasn't aged and one is about a terrorizing severed hand.

Two Navy men are ordered to bring a young offender to prison, but decide to show him one last good time along the way.

In this musical short, a shipwrecked sailor is washed up on the shores of a tropical island and falls in love with a beautiful princess.

This early comedy short has Bob Hope and John Berkes putting on sailor uniforms to find dates, getting mistaken for real sailors and being dragged back to a Navy ship by the shore patrol. Though not much plot, the short does give each star a chance to shine doing comedy bits both together and separately.

On leave, a sailor falls in love with a young lady aspiring to become a Broadway dancer, but their relationship is jeopardized by an established Broadway star, who is also enamored by him.