A Heart Is Always Red

Legendary documentary of the 1977 package tour arranged by David Robinson and Andrew Jakeman ("Kake Riviera") after they founded Stiff Records in London, England for five of their artists, and the bands that they concocted for the tour.

Taken in one concentrated best-of dose, it becomes evident what a coup The B-52's pulled off when they turned their own concentrated craziness into genuine hits. This is some of the weirdest stuff ever to make the charts, much less beloved by the masses. It's all here through the mad surf guitar of Ricky Wilson (and later Keith Strickland), the banshee wails of Cindy Wilson and Kate Pierson, and, of course, the, um, well, let's say vocalizing of freaky Fred Schneider. "Party out of Bounds" with a "Rock Lobster" on "Planet Claire," or "Roam" over to the "Love Shack" in "Private Idaho." Whatever you do in The B-52's universe will at least be good, clean, perverse fun

In the early 1970s, rubber was still king in Akron, Ohio. But just a few short years later, Akron's most important product was, ever so briefly, music. In the mid-1970s, a group of local bands took over an old rubber workers' hang-out in downtown Akron called The Crypt and created a mix of punk and art rock that came to be known as "the Akron Sound." And for a while, it was almost "the next big thing." Almost. It's Everything, and Then It's Gone, a Western Reserve PBS production written and directed by Phil Hoffman., takes viewers back to a time when the music really did mean everything. And for the men and women in these local bands, it was a way out of the factory.

The Spectacular Spinning Songbook made its first appearance in 1986 in Los Angeles during the "Costello Sings Again Tour." In 2011, Elvis Costello and the Imposters set out on The Revolver Tour and, for the first time in 25 years, once again allowed his set-list to be chosen by "The Spectacular Spinning Songbook," a monumental game-show type wheel spun by select fans and featuring songs from his latest critically acclaimed release National Ransom, plus new renditions of hits, rarities and very unexpected covers. This is the complete concert from the 12th May, including special guest appearance from The Bangles.

1. In the Flesh - 2. X Offender - 3. Denis – 4. Detroit 442 – 5. (I'm Always Touched by Your) Presence, Dear - 6 . Picture This - 7 . Hanging on the Telephone - 8. Heart of Glass - 9. Dreaming - 10. The Hardest Part - 11. Union City Blue - 12. Atomic - 13. The Tide Is High - 14. Rapture - 15. Island of Lost Souls - 16. Maria - 17. Good Boys

Looks like an alien, sings like a diva - Klaus Nomi was one of the 1980s' most profoundly bizarre characters to emerge through rock music: a counter tenor who sang pop music like opera and brought opera to club audiences and made them like it. The Nomi Song is a film about fame, death, friendship, betrayal, opera, and the greatest New Wave rock star that never was!

New wave geniuses who helped define an era with their quirky, futuristic, and revolutionary style are back, entertaining the Japanese crowds who love them as much today as they did 25 years ago. Devo have been through a lot over the years, developing their parody of humankind's plight of conformity in their theory of devolution after member Gerald Casale witnessed the Kent State killings of student protesters in 1970, but they haven't wavered in their innovative sounds and pioneering visuals.

A naturalistic story about the realities of healthcare and houselessness from the perspective of Ramon Duarte, a houseless welder who receives care from Miami Street Medicine, a street medicine team. In Miami, where rising housing costs are forcing folks onto the streets, the doctor's work is more important than ever.

This video release by Depeche Mode features an entire concert from their 2001 Exciter Tour, shot at the Palais Omnisports de Paris-Bercy on 9 and 10 October 2001.

After connecting with the shy Madeline, a jazz trumpeter embarks on a quest for a more gregarious paramour, but through a series of twists and turns punctuated by an original score, the two lovers seem destined to be together.

With his soaring falsetto and magnetic yet understated stage presence, Jimmy Somerville burst onto the 1980s new wave scene, making the world dance to songs rooted in struggle and resilience. From the harsh realities of Glasgow’s working-class neighborhoods to the challenges of growing up gay in a hostile world, and the devastating impact of the AIDS crisis, Somerville transformed pain into anthems of freedom. First with Bronski Beat, then The Communards, and later as a solo artist, he became both rebel and diva—the unmistakable voice of a generation fighting for equality. Through intimate stories from those who have stood by him for four decades, this portrait reveals a rare artist who has never wavered in his convictions.

Halouver is a small community in the Northern Caribbean of Nicaragua. In November of 2020, two hurricanes divided the village in two and destroyed its infrastructure. Now, its villagers must decide between coming back and rebuilding their homes from the rubbles in spite of the risks that conveys or starting their lives somewhere else, leaving behind their lives in front of the sea. This documentary was made by Hora Cero.

American resort developers bear down on the wild west coast of Nicaragua, hoping to build the next tourist paradise. With lax labour and environmental regulations, some of the developers take full advantage of the situation, and the local fishermen start accusing them of exploitation and land thievery. Unexpectedly, in the midst of this conflict, firebrand Daniel Ortega and the Sandinistas sweep back into government, boldly empowering the local fishermen. The tables turn viciously on the American developers, who get much more than they bargained for. But when the local fishermen, corrupted by new found power, begin acting in the same manner as the American developers, questions are posed about human nature, morality, and ethics on a much larger scale.

Sixteen female sex workers have been named judicial aides by Nicaragua’s Supreme Court to facilitate the resolution of conflicts that come up in their work. It is the first time in the world that sex workers have had access to this function. The film accompanies some of these women in their mediation work and in the actions they promote through their association, Girasoles (Sunflowers) of Nicaragua, to gain recognition and regulations for autonomous sex work.