Battling Darkness

After killing one person and wounding two others in a two-day shooting spree in July 2010, 37-year-old Raoul Moat went on the run. This is the story of the investigation—and how Moat escaped police officers’ clutches for a week.

Told in her own words, this candid documentary charts the unstoppable rise, sudden fall and hard-won comeback of lifestyle icon Martha Stewart.

A behind-the-scenes look at the production of Baby Assassins: Nice Days.

Arrebato (1980) is the great cult movie of today's Spanish cinema and Iván Zulueta, its director, an accursed filmmaker. Arrebato was the film that forecast the end of the movida, a dark and harrowing reel whose history and intra-history are intimately linked. Arrebato acts as a premonition of the director’s own life. Just like his actors, Zulueta will end up being brought down by drugs and the cinema and, like them, will also disappear.

This documentary draws on new evidence to reveal that a fire was raging in Titanic's boiler rooms before she left port, that it was kept secret and, it's now believed, that it led to the tragedy

A powerful account of the Kolbari covert goods traden between the Kurdish cities and towns of Iran and borders of Iraq. The film follows Hamid and Yasser over six years as they contend with the life threatening conditions they and their families have to face to survive. A rare insight into the plight of the Kurdish people, this is an elegant portrait of a marginalised people, where the palpable sense of risk and danger is contrasted with the gentle rhythms of family life under harsh conditions.

From time immemorial, the Bretons have fought many battles to safeguard their culture, rich in language, music and dance. However, Brittany was for a long time a forgotten land, neglected by the Republic which forbade its language. From the 1960s onwards, the agricultural revolution turned peasant life upside down. Its culture, which had long been supported by Catholic priests, was emancipated in the seventies, carried by a new breath of air that accompanied the Breton angers. The youth then reappropriated their language and culture. From the long years of relegation to their great anger, the Bretons have written a fascinating saga since the end of the 19th century.

Prestonburg, KY is a small blue-collar town with hunting, fishing, coal mining, and two of the biggest names in online horror talk radio: Wes Vance and Aaron Frye (aka "The Creepy Kentuckian" and "Uncle Bill") The two self-proclaimed "redneck geeks" bonded at a young age while their weekends devouring horror films. They now use their extensive horror knowledge to record a weekly podcast on DEADPIT.com and have found a worldwide audience through their candid conversation, quick wit, and lots of swearing. What started as an outlet to express their love for horror films has evolved into an online industry with millions of followers and the ability to talk to their childhood heroes. But what happens when your childhood pursuits start to collide with your adult aspirations? Can Deadpit survive it's own success?

The first feature-length documentary that fully explores how the toxic social and political Canadian context after 1968 created some of the most nihilistic and imaginative Canadian cult films of the 1970s and 80s and beyond.

A collection of bloopers and outtakes from an enormous selection of Hollywood classic productions spanning from the 1930s through the 1980s.

On the Puerto Rican diaspora, which includes renowned artists who have converted New York, Florida, Chicago, Hawaii, Santa Cruz and Dominican Republic into their second home, but with Puerto Rico in their hearts.

Documentary about the making of Juzo Itami's film "Tampopo" (1985).

In 1996 I took the conservatory exam. I missed it. A year ago I was asked to do a masterclass on acting in cinema. I went there. I met a lively, joyful and passionate youth. Among my students there was Clémence. The following year, she asked me to film their last show. I felt her urgency and the fear she had of leaving this mythical place. So I accepted.  By filming this youth, I revisited mine.