Post Empire

An American man returns to the village of his birth in Ireland, where he finds love and conflict.

In early 1860s New York, Irish immigrant Amsterdam Vallon is released from prison and returns to the Five Points, seeking revenge against his father's killer, William Cutting, a powerful anti-immigrant gang leader. He knows that revenge can only be attained by infiltrating Cutting's inner circle. Vallon's journey becomes a fight for personal survival and to find a place for the Irish people.

When a deported gangster dies in Italy, the U.S. Treasury Department is very interested in the one million dollars Madigan owed the government, but managed to take to Italy with him. They send Agent Jason Phister over to Italy to nose out the million. His criteria for the job is that no one would ever guess he's an agent of the United States government.

An employee of a secret company operation becomes the victim of the company's special weapons project. He is transformed into a robotic killing machine that, because of his programming must destroy anything that comes near him.

Emilio Fernandez directs Dolores Del Rio and Pedro Armendariz in a classic tale of family and obsession. Raimunda's daughter Acacia hates her stepfather Esteban, and in order to escape her suffocating home life she's accepted a marriage proposal from a man she doesn't even love. But Esteban has become obsessed with Acacia, and in order to ensure that she doesn't leave he's plotting to murder the girl's unsuspecting fiancée. As Esteban's true nature emerges, mother and daughter must band together to support one another and make sure that their family bond remains strong even in the darkest of times.

An undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result.

Yesterday's Tomorrow is the story of three promising young and diverse adults, each with their own destiny who through extraordinary circumstances are left to die, as their lives collide and harmoniously come together.

Straight-to-video filmmaker David Payne writes and directs the docudrama Just Can't Get Enough: The True Story of the Chippendales' Murders. The movie opens with Nick DeNoia (Peter Nevargic) getting shot in his office. The bulk of the story takes place in the early '80s during the glory days of the Chippendales night club, owned by sleazy businessman Steve Banerjee (Shelley Malil). Innocent college graduate Chad Patterson (Johnathan Aube) gets a job at the club to make some extra money, but he manages to get corrupted by the money and lifestyle. Then choreographer DeNoia gets involved in a blackmail scandal and Steve gets illegal ideas of his own.

In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.

A bored estate lawyer spots a beautiful woman in the window of a ballroom dance studio. He secretly starts taking dancing lessons to be near her, and then over time discovers how much he loves dancing. His wife, meanwhile, has hired a private detective to find out why he has started coming home late smelling of perfume.

The subject of this historical drama is a splintering Berlin in the years of 1948 and 1949. Played against the backdrop of social upheaval, the characters in the drama come to epitomize the best and worst of each pole of the political sphere. A 17-year-old hoodlum by the name of Gladow works hand-in-glove with a local white-collar criminal to rob and pillage every day and night, defying capture. While he and his gang of thugs are terrorizing the people of Berlin, the Soviets are trying to make the blockade of their region of control impermeable. The future casts long shadows over the drama, as Berlin's problems take the shape of times to come.

After a young heiress is assaulted by a policeman, she seeks revenge by befriending the policeman’s mousy wife and introducing her to her circle of outrageous punk friends.

Matias meets Violeta, his cousin one morning in Madrid at the Plaza de Opera. He is twenty-five. She is 18. He's a divorced journalist trying to write a thriller. She studies violin. She's a vegetarian. He loves meat. Many things separate them, but he moves into her apartment.

Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. However, in Japan he manages to escape, and as they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game—the Japanese way.

A grieving husband struggles to come to terms with his wife's passing. Following a night-time visit to her grave, he picks up a transgender sex worker.