Hitler's Putsch: The Birth of the Nazi Party

On February 26, 1920, Robert Wiene's world-famous film The Cabinet of Dr. Caligari premiered at the Marmorhaus in Berlin. To this day, it is considered a manifesto of German expressionism; a legend of cinema and a key work to understand the nature of the Weimar Republic and the constant political turmoil in which a divided society lived after the end of the First World War.

Schtonk! is a farce of the actual events of 1983, when Germany's Stern magazine published, with great fanfare, 60 volumes of the alleged diaries of Adolf Hitler – which two weeks later turned out to be entirely fake. Fritz Knobel (based on real-life forger Konrad Kujau) supports himself by faking and selling Nazi memorabilia. When Knobel writes and sells a volume of Hitler's (nonexistent) diaries, he thinks it's just another job. When sleazy journalist Hermann Willié learns of the diaries, however, he quickly realizes their potential value... and Knobel is quickly in over his head. As the pressure builds and Knobel is forced to deliver more and more volumes of the fake diaries, he finds himself acting increasingly like the man whose life he is rewriting. The film is a romping and hilarious satire, poking fun not only at the events and characters involved in the hoax (who are only thinly disguised in the film), but at the discomfort Germany has with its difficult past.

Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.

Caroline Sturdy Colls, a world leader in the forensic investigation of Nazi crime scenes, is chasing clues to an unsolved case: a concentration camp that existed on the British island of Alderney. Witnesses and survivors claimed that thousands died there, but only 389 bodies have ever been found. Under heavy restrictions imposed by the local government, which may not want its buried secrets revealed, Colls must uncover the truth using revolutionary techniques and technologies.

In 1981, a film about the misadventures of a German U-boat crew in 1941 becomes a worldwide hit almost four decades after the end of the World War II. Millions of viewers worldwide make Das Boot the most internationally successful German film of all time. But due to disputes over the script, accidents on the set, and voices accusing the makers of glorifying the war, the project was many times on the verge of being cancelled.

Starting in late May 1944, during the German retreat on the Eastern Front, Captain Stransky (Helmut Griem) orders Sergeant Steiner (Richard Burton) to blow up a railway tunnel to prevent Russian forces from using it. Steiner's platoon fails in its mission by coming up against a Russian tank. Steiner then takes a furlough to Paris just as the Allies launch their invasion of Normandy.

Near the end of World War II, Gen. Dietrich von Choltitz receives orders to burn down Paris if it becomes clear the Allies are going to invade, or if he cannot maintain control of the city. After much contemplation Choltitz decides to ignore his orders, enraging the Germans and giving hope to various resistance factions that the city will be liberated. Choltitz, along with Swedish diplomat Raoul Nordling, helps a resistance leader organize his forces.

This documentary is showing Nazi Germany in color. The original and unique color images are portraying the war and German life of the time. You will see the Nazis at work but also in their private situations. All film images are original and fully restored color recordings.

During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.

July, 1944. As WWII raged on, a group of conspirators, led by Claus von Stauffenberg, plotted to assassinate Hitler and end his reign of terror. Using rare color footage, painstakingly recreated dramatizations, detailed CG reconstructions and exclusive interviews with leading historians, this thrilling documentary presents the definitive record of what happened before, during and after these pivotal events.

In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.

In 1943, as Hitler continues to wage war across Europe, a group of college students mount an underground resistance movement in Munich. Dedicated expressly to the downfall of the monolithic Third Reich war machine, they call themselves the White Rose. One of its few female members, Sophie Scholl is captured during a dangerous mission to distribute pamphlets on campus with her brother Hans. Unwavering in her convictions and loyalty to the White Rose, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility.

On June 17, 1953, there was an outrageous action between the Elbe and the Oder: the people in the GDR refused obedience to their political leadership. The story takes place in Bitterfeld and tells the story of a family involved in the political events around 17 June.

Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)

Using exclusively archival footage, Erwin Leiser traces the rise and collapse of the Third Reich, from Adolf Hitler’s early years to the devastation of Europe and his suicide in 1945. The film draws heavily on material produced and preserved by the Nazi propaganda apparatus to confront the mechanisms, imagery, and consequences of totalitarian power.