Violet Perfume: Nobody Hears You

Based on the novel Trilby by George du Maurier. A girl named Trilby meets Svengali, a musician and hypnotist, who claims he can turn her into a talented singer via hypnosis.

A 12 year-old Olympic swimmer and her mother (both played by July) speak to the public about “going for the gold”.

Della, a 45-year-old wanna-be, coulda-been jazz singer and her lover, Dale, a 23 year old small time criminal, are in the final stages of their dysfunctional relationship.

An elderly man's innocent friendship with an eight year old girl is tarnished by the assumptions of a community when the little girl goes missing.

Flavia is a thirtysomething married teacher. She has suppressed the memory of her adolescent lesbian fling with Jin and is stuck in a stifling marriage. A chance encounter in a supermarket with the playful and seductive singer Yip reawakens dormant feelings and she begins to think back on her teenage affair with Jin.

A city romance meets a rural family invasion. What follows is chaos, comedy, and heartfelt moments. The story unfolds as a joyful entertainer that explores love, cultural clashes, and the importance of family bonds.

After librarian Isolde attempts suicide, she leaves her politician husband for a younger student with a dark past. Isolde's former husband, however, has something else in mind for the young man.

Written, directed, and self-financed by Juleen Compton, The Plastic Dome of Norma Jean is the story of a clairvoyant teenage girl, Norma Jean (Sharon Henesy), taken advantage of by a boy band, fashioned after The Beatles, determined to exploit the young woman's powers as part of a hoax revival.

Compton's first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality. Stranded follows Raina, a young American woman (played by Compton), traveling through Greece with her American lover (Gary Collins), and her French, gay, best friend (Gian Pietro Calasso). Raina partakes in several love affairs rejecting marriage offers for no other reason than she likes her life the way it is. Made just prior to the arrival of second wave feminism, Compton, as writer-director, never judges her on-screen alter-ego the way similar female characters were frequently punished in other films during this era by stigmatizing female sexuality.

A sad and troubled man finds a new job five years after the end of WWII, where he writes love letters for other people.

A young woman raised in the US returns to her birth country in Eastern Europe after a devastating tragedy. Questioning her sanity and her sexuality, she starts believing she possesses supernatural powers.

Three Afghan women from different social background, living in Kabul, are facing a big challenge in their lives. Hava, a traditional pregnant woman whom no one cares about, is living with her father- and mother-in-law. Her only joy is talking to the baby in her belly. Maryam, an educated TV news reporter, is about to get a divorce from her unfaithful husband that finds out she is pregnant. Ayesha, an 18-year-old girl, accepts to marry her cousin because she is pregnant from her boyfriend who disappears after hearing her pregnancy news. Therefore, she needs to find a doctor to get an abortion and regain her virginity. Each of them has to solve her problem by herself for the first time.

Muriel Bayen, a divorced beautician and mother of two, loves to tell stories. She is a huge fan of this singer Vincent Lacroix, in fact she is a dedicated fan. One day Vincent knock on her door and ask for her help.

Based on a true story, Mrs. Ratcliffe's Revolution is the tale of a family from Bingley in Yorkshire, who defect to East Germany. Here they find a nightmare of rationing, censorship and the most spied upon people in history rather than the Marxist utopia they were expecting. But if they thought getting in was difficult wait until they try to get out.

When her inability to commit leads to a breakup with her girlfriend, opera-loving writer Allegra winds up in the bed of amiable professor Philip. He is so smitten with Allegra that he dumps his lover, Grace, and convinces Allegra to continue their affair. When Allegra meets Grace, sparks fly, and she begins a parallel romance, unaware that her new lover is the woman Philip left to be with her.