The Killer Is on the Phone

A young woman who develops a flirtatious online relationship with a stranger soon discovers that nothing is what it seems and you’re never as safe as you think you are.

Two ordinary women who accidentally committed a crime wanted to cover up their tracks. However, the internal conflict they faced as women in the eyes of society ultimately prevented them from carrying out their intention.

Susan has chosen a hermit's life on a dilapidated farm over the shallowness of her previous jet set modeling life. When Anton, a hunky courier, comes along to pick her up for an assignment on the French Riviera, he's so fascinated by Susan's odd assortment of house guests that he decides to stay with them for a couple of days.

A clairvoyant therapist confronts her own personal demons while trying to save a young girl who believes a malevolent entity is feeding on her.

A methodical young man hired to clean up the messes murderers leave behind has his work cut out for him when he is contracted by a particularly strange serial killer.

In the middle of a routine patrol, officer Daniel Carter happens upon a blood-soaked figure limping down a deserted stretch of road. He rushes the young man to a nearby rural hospital staffed by a skeleton crew, only to discover that patients and personnel are transforming into something inhuman. As the horror intensifies, Carter leads the other survivors on a hellish voyage into the subterranean depths of the hospital in a desperate bid to end the nightmare before it's too late.

A desert family offers a traveling stranger its hospitality, but the stranger doesn't realize exactly what they have in store for him.

A kickboxer has an accounting problem with the mobster (Anthony Geary) who lent him money for a nightclub.

During a cannibalistic bath salts epidemic in Hemet, California, a tyrannical landlady lords it over her tenants, pitting them against each other in a web of paranoia spun for deadly results.

A lone truck driver who is lured into the woods by a nubile Lady Godiva discovers after he’s slept with her that all is not as it seems. The Sex Victims (1973) is very much part of the Britsploitation fold, featuring gratuitous nudity, working-class vernacular and rough sex. Yet director Derek Robbins also veers into some of the same uncanny territory directors like José Larraz would later explore at feature length, making it a unique hybrid. In fact, The Sex Victims would make a perfect bill cousin for Larraz’s Vampyres (1974) for the way in which it combines ample nudity with supernatural elements. (BFI)

A police lieutenant and a female reporter investigate a series of murders committed by a hooded killer in an old dark house.

Rent’s a bitch. And that is why, six months after her best friend went missing, Amanda finally gives in to getting another roommate, Hailey. The two college students turn out to have something in common, however: abusive men. For Hailey, it’s her dad. For Amanda, it’s a stalkery ex-boyfriend. But problems can be solved and, you know, you scratch my back, I scratch yours. In other words, Kill for Me, I kill for you.

In a building where silence and order usually prevail, Estela tries to sleep, unable to doze off due to the passionate nights of her young neighbors. Tired of their disrespect, she calls for a consortium meeting to decide the couple's new fate.

Heinz Gödicke is the chief commissioner of the People's Police in the small town of Eberswalde in Brandenburg. Gödicke is called when two bestial murdered children are found in the forest. The investigator tries to get involved in the perpetrators - a rarely used method at the People's Police - and the perpetrator so on the track. The Stasi-Major Witt is no friend of this procedure and leaves the commissioner only reluctantly free hand in the investigation. The matter does not go to the authorities fast enough and is then simply put to the files. When another murder occurs, it becomes clear that Gödicke was much closer to the enlightenment of the act than everyone thought.

A young museum curator Isabelle (Katie Goldfinch) is sent to look at an ancient artefact, discovered in the basement of a stately home in Shropshire. Welcomed into the sprawling manor house by a seemingly hospitable family; Karl (Larry Rew), his wife Evelyn (Babette Barat) and their beautiful daughter Scarlet (Florence Cady), but all is not what it seems, as a dark and terrifying secret hangs over them.