The Dead Don't Hurt

Two short stories set in Edo during the Shogun era. The first, during a time when Christians are persecuted vehemently, Iori falls in love with a young Christian girl. When she and her family are captured during a raid, his sadistic master takes her as his personal slave to torment Iori. The second follows Sutezo who, forced to serve the barbarous master of a brothel in order to repay his debts, befriends a young girl. Together, they both escape and struggle to get by on scams and petty theft.

A mysterious woman returns to her mountain village home to confront her painful past. As she tries to uncover the long-buried truth, the local villagers accuse her of witchcraft and murder.

Borrowing its title from the William Carlos Williams poem of the same name, Nameless Spectacle revela in the beauty of ordinary life through themes of voyeurism, power, and sexual violence. Projected on two duelling screens the viewer is unable to focus on the parallel perspectives of the film’s dual perspectives.

Getting away, that's the only thing that's real. For Manue, here there's nothing to hope for, whereas in America everything is possible. On the next pier, a container ship is heading for Massachusetts and they're looking for sailors. Gaffia agrees to hold Manue's hand for the long voyage.

While returning to Leningrad from a visit to his brother, Professor Artyom's car breaks down and he finds assistance at an isolated farmhouse occupied by Alexey, his wife, a Vietnamese laborer, and a stranger who wanders around the farm. When his car is repaired, Artyom leaves, drunk on moonshine, and students Valera and Angelika arrive. After Valera gets drunk, the stranger abducts Angelika.

The Deputy High Commissioner, J.P. Singh, faces an unusual crisis when a mysterious woman rushes inside the Indian High Commission in Islamabad, claiming forced marriage in Pakistan and seeking a return to India.

In 1980, the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to choose between his wife and his lover, and a married man who turns to a prostitute for advice.

Young Remi, a foundling, lives on the farm run by his impoverished foster parents. When their money runs out, unbeknown to his foster-mother, Rémi is sold by his hard-hearted foster father to an old street performer named Vitalis. Vitalis was once a famous opera singer, but became destitute after a tragic love affair.

Three stories of immigrants trying to start new lives in Poland: an Afghan traumatised by the war, a Ukrainian lost in her own body, and a Belarusian running away from painful love.

A man who lost his family in the September 11 attack on New York City runs into his old college roommate. Rekindling the friendship is the one thing that appears able to help the man recover from his grief.

Gabriel, Bobby and Costa are old friends from Altona, a multicultural hood in Hamburg. Just out of prison, Gabriel wants to turn his back on crime, but the others continue to operate as petty criminals. Friendships are tested as the trio navigate a dark world of mafia bosses and deals gone wrong.

While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

Two trouble-causing brothers, who in the second generation after World War II Germany live, are in the center of this German made for TV movie. The movie makes a subject out of their everyday lives and the helpless attempt for them to build a normal life.

Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.