Latin for All

An aging Latin lover gets dumped by his sugar mama and must fend for himself in a harsh world.

A story of high school awkwardness, anxiety and ancient Greek philosophy, Samira Mian’s autobiographical animation Know Thyself recounts how a panic attack in 9th-grade Latin class sent her on a years-long odyssey of self-discovery. Entertaining and endearing, Mian’s portrait is also an insightful reflection on the inextricable connection between mind and body and the power of self-understanding.

The film depicts how the Church has adapted to the new security norms in the Covid-era, without renouncing to its rituals.

Chronicling Latin baseball players in the minor leagues as they experience the ups and downs of pursuing the dream of playing in the Major Leagues.

Luis, a private tutor, is invited to a family dinner at the fancy house where he works. What starts as a peaceful evening is soon overshadowed by the conflicts within this dysfunctional family. After a power outage, five masked youths break into the house instilling panic in the place. Luis tries to protect the family, but he quickly finds himself threatened by James, the most violent of the assailants, whose hidden motivations will challenge our understanding of justice.

A Latin American horror anthology where filmmakers from conjure shadows rooted in their land, their ghosts, and their history.

When a scheming fortune hunter finds his rich wife is not going to die as expected, he and his lover make other plans to get her millions.

"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.

CARO Vapor II is an exercise in imagination and a redefinition of what Brazilian popular music can be nowadays. From Rio’s samba jazz transported to the streets of Conjunto São Pedro in Fortaleza to Baião meeting the productions of the Neptunes, the artist understands old musical proposals as dreams of possible futures, pillars in the construction of a country whose work remains unfinished. Digging through these ruins and working their echoes in the present, he dares to envision another future. The exercises of imagining the past that haunt us have been exhumed and rebuilt. While this unfolds sonically, Don L’s pen reinforces: the Global South is what matters. Don scrutinizes the aspirations of what it means to be Latin American nowadays, in a world where virtually all experiences are heavily filtered by the internet and those in power. Territorial construction is also mental, provoking the listener by repeating, in new terms, the question: how much of your dreams was advertising?

A Latinx immigrant mother makes waves with a historic campaign to end the sharing of the Philadelphia police database with ICE.

The interview, held on January 4, 2001, was the last given by Professor Milton Santos, who died from cancer on June 24 of the same year. The geographer is gone, but his thoughts remains. Its political and cultural ideals inspire the debate on Brazilian society and the construction of a new world. His statement is a true testimony, a lesson that the world can be better. Based on geography, Milton Santos performs a reading of the contemporary world that reveals the different faces of the phenomenon of globalization. It is in the evidence of contradictions and paradoxes that constitute everyday life that Milton Santos sees the possibilities of building another reality. He innovates when, instead of standing against globalization, proposes and points out ways for another globalization.

Through small yet meaningful anecdotes and reflections, a handful of individual voices come together to form a collective narrative that speaks to the everyday lives and challenges of Latinos who have grown up in the contemporary US South.

When Dolores, an undocumented immigrant who lives alone, discovers $3 million in cash, her life takes a sudden and unexpected turn.