Wonderful Tonight

Stories about the late President ROH Moo-hyun and BAEK Moo-yun - a man who once lost a congressional election - are intersecting and touching each other. This documentary tells a story about two men that dreamed about living in a country where the people come first.

A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.

This film records the Japanese military's efforts to capture the Burma Road,one of the major supply lines to China, from the British beginning in December 1941. The film ends with the fall of Mandalay in May 1942.

When US-raised Jaden returns to his birthplace Myanmar, to search for his roots, he discovers a shocking truth, a new love and ultimately a possible future in his homeland.

Choi Jinbae from Korea and Nyein Thazin from Myanmar are an international couple. They married seven years ago in Mandalay and, after a ceremony in Korea, planned to return. But COVID-19 left them stranded in Seoul. One day, a photo arrives from Myanmar showing a village destroyed by the coup. Urged by fellow Myanmar people to share their country's reality with the world, Choi picks up a camera. An ordinary family's life is suddenly thrust into questions of pain, solidarity, and the ethics of bearing witness.

How does it feel to be forgotten by the world? A powerful collective cry denouncing the crimes of the military dictatorship installed in Myanmar after the coup perpetrated on February 1, 2021: cinema and imagination against horror and in defense of freedom.

Using nature shots with narration and a musical score, this documentary tells the story about the Moken, Myanmar's last sea nomads.

Names of Revolution recalls the memories of those who participated in the struggle to rewrite the history of the “Busan-Masan Democratic Protests,” which has been under-represented in modern Korean history. As the then college students, seamstresses, mold technicians, combat police, workers, bus drivers, advertising planners, and photojournalists pour out their memories from over 40 years ago before the camera, vivid words come to life.

In 1988, workers at the 'Busan Working Women's House' study the Labor Standards Act, receive overdue salaries, and take menstrual leave and pre- and post-partum leave. As the subdivided women's movement develops, Busan women also take to the streets to fight against domestic and sexual violence. Around the same time, female students in Busan and South Gyeongsang Province actively campaigned to create school rules to regulate sexual violence in universities. In 2000, Pusan ​​National University's first feminist festival

This is a film about workers, a film about the poor who were dragged out of homes and about his father. Director Park films his father who has lived as a laborer all his life, his weakened body, and nine years of time flowing over it. Park brings an impartial view of his father’s life. His father does not try to impart a particular value in front of the camera. What remains is to wonder where this cruel reality comes from.

The Ta'ang or Palaung people, an ethnic minority living in the mountainous area between Myanmar's Kokang region and China's Yunnan province, have historically suffered many forced migrations due to war. When their survival is threatened again in 2015, thousands of them flee across the border. Filmmaker Wang Bing accompanies them and becomes a privileged witness to a human story that is both a modern reportage and a mythical epic.

For the first time, traditional Burmese singers Khing Zin Shwe and Shwe Shwe Khaing are recording an album that introduces people around the world to the Maha Gita (Great Songs), which have been sung in South Asia for 700 years. They also introduce viewers to life in Myanmar, a Buddhist country of great beauty.

In 1885 the British army invaded Burma and deposed its King. He died in exile, ending a thousand years of monarchy. The royal family vanished, and the country was plunged into war and the longest military dictatorship of modern times. But after a century of silence they are back, and they're on a journey to bring the family - past and present - back together. Filmed through three years of seismic change in Burma, this is the story of a family and a country emerging from the darkness.

Korean Baseball team < Lotte Giants > have 30 years history as same as Korean Baseball History. In this time, < Lotte Giants > made their fans weep and smile. However after 2000 year, < Lotte Giants > fell into a slump and span round a low ranking teams. But in 2008 year, < Lotte Giants > rebound from despair and mark 4th grade. < Lotte Giants > start 2009 season with big hope to get 1st grade. However their dream soon gets into troubles. < Lotte Giants >’ main players are wounded and their conditions fall. In the opening part of season, < Lotte Giants > fans are downhearted by their team. But they ? players and also fans - never give up. From the lowest rank, they start up the engine to win the season. Will < Lotte Giants > fans and players’ dream come true at the end?

Gukdo Art Cinema located in Daeyeon-dong, Busan is one of the most representative cinema in Busan for independent films and arthouse films along with Cinematheque Busan (currently moved to Busan Cinema Center) and Art Theater C+C. Gukdo opened in 2004 in Nampo-dong and moved to Daeyeon-dong in 2008 and has been a home for cinephiles in Busan and nearby areas for the last 10 years. The theater closed its operations on January 31st, 2018 after the building owner had refused to renew its contract. The last month of the theater is recorded in the movie Last Scene.