The Boat with No Name

Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin by Japanese forces firsthand.

The Alchemist assembles together a group of people from all walks of life to represent the planets in the solar system. The occult adept's intention is to put his recruits through strange mystical rites and divest them of their worldly baggage before embarking on a trip to Lotus Island. There they ascend the Holy Mountain to displace the immortal gods who secretly rule the universe.

Two drag performers and a transgender woman travel across the desert to perform their unique style of cabaret.

Young Ali and his camel-driver grandfather Moussa take part in an expedition through the Australian Outback. Faced with prejudice, Moussa's knowledge and the hardiness of his camels in the punishing conditions quickly prove vital to both the success of the expedition and the survival of its members.

There's No Business... is a 1994 British partially improvised comedy film directed by Kevin Molony and produced by Claudia Lloyd for Prospect Pictures. It stars Raw Sex (Simon Brint and Rowland Rivron) as Ken Bishop and his stepson Duane, and Lee Cornes as their musical agent Dickie Valentino, in their attempt to remake a track by Ken's old band, 'The Nice Twelve' for a TV advert for 'Pinkies', a brand of kitchen gloves made by Mort Clayton (Mac McDonald). Alexander Armstrong (Tim) and Sam Graham (Fergus) work for the fictional advertising agency Sprote and Sprote. The film takes its name from the 1954 film There's No Business Like Show Business which itself borrowed the 1946 song of the same name by Irving Berlin, written for the musical Annie Get Your Gun.

Sandy, a geologist, finds herself stuck on a field trip to the Pilbara desert with a Japanese man she finds inscrutable, annoying and decidedly arrogant. Hiromitsu's view of her is not much better. Things go from bad to worse when they become stranded in one of the most remote regions on Earth.

Somewhere in Australia in the early 20th century outback, an Aboriginal man is accused of murdering a white woman. Three white men are on a mission to capture him with the help of an experienced Indigenous man.

When a New York reporter plucks crocodile hunter Mick Dundee from the Australian Outback for a visit to the Big Apple, it's a clash of cultures and a recipe for good-natured comedy as naïve Dundee negotiates the concrete jungle. He proves that his instincts are quite useful in the city and adeptly handles everything from wily muggers to high-society snoots without breaking a sweat.

In 1931, three Aboriginal girls escape after being plucked from their homes to be trained as domestic staff, and set off on a trek across the Outback.

After getting threatened by Kelly's friends and family, Constable Fitzpatrick places the blame on Ned Kelly and exaggerates what happened. With the biggest ever award available, Kelly and his gang set into the wild, to remain hidden from everyone who seeks them. Even if it means having his family arrested, the members of the Kelly Gang stay hidden and plan a way to get their names cleared.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

In the Spring Break capital of White Sands, Florida, Sheriff Terry Moran outlaws the town's world famous ass contests to win the elderly vote in his campaign for Mayor - even though he is married to the town's former Ass Contest Queen, Doreen. Unhappy with how her husband is changing, Doreen breaks out of her bored drunk housewife existence to recapture her youth and to subvert her husband's campaign.

A First Nations boy in the Australian outback adopts an injured dingo. The two of them set off on a quest to find an emu.

An Aboriginal girl held captive and at the mercy of the station’s stockmen makes an unlikely friend and finds the courage to set herself free.

Follow the story of Esteban and Daniel as they navigate turbulent times in Chile. Will their relationship survive the pandemic and Esteban's family bringing in conflicts from the past? How can they get closer when they have to be apart?